Stephen Costello has been hailed as ‘a prodigiously gifted singer whose voice makes an immediate impact’ (Associated Press). The Philadelphia-born tenor quickly established a reputation as a ‘first-class talent’ (Opera News) after coming to national attention in 2007, when, aged 26, he made his Metropolitan Opera debut on the company’s season-opening night. Two years later, Stephen won the prestigious Richard Tucker Award, and he has since appeared at many of the world’s most important opera houses and music festivals, including the Royal Opera House, Deutsche Oper Berlin, Wiener Staatsoper, Opéra national de Paris, Deutsche Staatsoper, Gran Teatre del Liceu, Semperoper Dresden, Bayerische Staatsoper, Lyric Opera of Chicago, Hamburgische Staatsoper, San Francisco Opera, Washington National Opera, Bolshoi Theatre Moscow, Arena di Verona, Salzburger Festspiele, Bregenzer Festspiele, and Glyndebourne Festival. As Opera News noted in a recent ‘Spotlight’ double-page spread, ‘the all-American tenor’ is now ‘at the top of his game’.
This February, Stephen Costello brings his “powerful” and “empathetic” (Opera Online) interpretation of Verdi’s Don Carlo to The Dallas Opera. Costello is a favorite of the company; Don Carlo marks his tenth appearance in Dallas. He has previously bowed there in productions of Maria Stuarda, The Merry Widow, Roberto Devereux, Moby-Dick in the 2009/10 and […]
This December, Stephen Costello brings his lauded portrayal of the poet Rodolfo in Puccini’s La bohème to audiences at the Bayerische Staatsoper. It’s a welcome return to Munich for Costello, who has previously appeared there as Rodolfo, as well as Alfredo in Verdi’s La traviata, the title role in Verdi’s Don Carlo, and as Don […]
“Also impressive was the tenor Stephen Costello, who originated the role of the innocent Greenhorn at the opera’s premiere. Fifteen years later his lyric tenor has grown and now has a clarion power while maintaining a youthful freshness. He’s most moving in duet with the harpooner Queequeg”